Madagascar: how to save a forest
Anjali Nayar, an International Development Research Centre fellow at Nature, recently visited a pioneering project in Madagascar that's aiming to protect one of the country's few remaining forests. About 90% of the species in Madagascar's rainforests are found nowhere else on Earth, but efforts to save the island nation's forests are about more than conserving biodiversity.
It's hoped that projects like this will provide a model for efforts to reduce greenhouse gas emissions from deforestation. Under a proposal, known as reducing emissions from deforestation and forest degradation (REDD), wealthy nations could meet their emissions targets in part by buying carbon credits from developing countries such as Madagascar. REDD is one of the topics up for discussion at the UN climate-change conference in Copenhagen this December. Countries will negotiate whether REDD should be included in the global climate deal that takes over from the Kyoto Protocol.
But as Anjali reports, to be successful these projects must overcome the poverty and political upheaval common to most developing countries. Read Anjali's full report here. Or see a slideshow video version, here.

In this year’s series of UN climate talks - the latest of which took place last week in Bonn - one of the issues negotiators are sinking their teeth into is a source of greenhouse gases that has previously been sidestepped. Chopping and burning trees causes an estimated one-fifth of global emissions, and slowing down deforestation could be the cheapest and quickest way to keep a substantial load of gas out of the atmosphere. With this in mind, the Bali meeting in 2007 called for a decision on forests to be made by the time the 2009 talks wrap up in Copenhagen this December. 
Tropical forests which (still) cover around 10% of the global land area contain more carbon per hectare than any other form of vegetation. It’s obvious from that that their growth or decline has a huge impact on the global carbon budget.
Cross-posted from In the Field

