This injectable biomaterial can control bleeding

The biomaterial can maintain its shape upon injection, only becoming liquid after a force is applied.

The biomaterial can maintain its shape upon injection, only becoming liquid after a force is applied. {credit}Ali Khademhosseini, Brigham and Women’s Hospital{/credit}

Scientists swap metallic coils, classically used to treat aneurysms and uncontrolled hemorrhaging, with a a hydrogel that can hold its shape within a blood vessel to prevent bleeding.

The agent, tagged a shear-thinning biomaterial, is similar to toothpaste in consistency and is made up of both gelatin and nanoparticles. The research by a team of scientists led by Ali Khademhosseini, from Brigham and Women’s Hospital and the department of physics, King Abdulaziz University, Saudi Arabia, developed the agent to overcome the limitations of the coils. In 47% of patients on blood thinning medications or in those who cannot form blood clots, dangerous break-through bleeding, with rebleeding, occurs when the coils are inserted into their blood vessels.

The new biomaterial doesn’t rely on the formation of blood clots to obstruct the vessel and halt bleeding. It can also withstand high pressure, and naturally degrades over time. It was tested on porcine models, whose blood vessels have similar dimensions to human’s. And the scientists plan to test it on humans next.

“This work is an example of how bioengineering can help address the challenges that clinicians and patients face,” says Khademhosseini of the research, published this month in Science Translational Medicine. “Our work thus far has been in the lab, but we are on a translational path to bring this new biomaterial for embolization to the clinic to improve patient care.”

Empowering ancient Egyptian queens

Queen 1

{credit}The National Museum of Antiquities{/credit}

If you find yourself near Leiden, home to Leiden University, the oldest university in the Netherlands, make sure to visit the Queens of the Nile exhibition at the National Museum of Antiquities, which promises to finally afford the wives of the pharoahs the attention they deserve. The exhibit of royal portraits, godly statues, lavish jewellery and accessories is curated by Leiden University students and PhD candidates, in addition to egyptologist Olaf Kaper.

“Too little attention has been paid to the wives of the pharoahs, both in science and in the museum world. I wanted to tell their history and show different aspects of life at court,” says Kaper.

According to Leiden University, the exhibition covers a period of 500 years and pays tribute to five queens of the era known as the “new empire”. Those queens were famed for their political prowess and divinity.

Among the showcase are two particularly valuable pieces, “the decorated granite cover of the sarcophagus of Queen Nefertari and a five-metre papyrus,” explains Kaper. “This enormous document is a legal text that describes the conspiracy against and the murder of Pharoah Ramses III by a group of ladies from the harem and a number of officials. It proves that women at that time were by no means happy to accept a subordinate role.”

This is the first major exhibit of its kind on the Egyptian queens in the Netherlands. It continues until 17 April 2017.

Bringing cinema magic to science

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{credit}Imagine Science Film Festival{/credit}

In its third edition in Abu Dhabi, Imagine Science Film Festival, running from 2 to 4 March, 2017, is dedicated to light, reflecting on it through a multitude of films spanning documentary, fiction and experimental genres.

The film festival, which contemplates the intersection between science and art and which takes place at the Arts Centre in New York University Abu Dhabi (NYUAD), chooses a theme for its productions every year, and creates a conversation around it through talks, workshops, performances, and screenings of both local and international films.

In the past, the festival has collaborated with Zayed University, Petroleum Institute, Masdar in addition to NYUAD’s Arts Center in a keen effort to encourage local filmmakers to particpate in programming and filmmaking.

This year, the festival explores another fundemntal of life: light, and “how in multiple ways it has shaped how we see and understand the world providing us new insights, methods and understandings of how investigate our surroundings, and their scientific and artistic subtexts,” according to NYUAD professor and festival founder Alexis Gambis.

The festival is still accepting film submissions until December 5, 2016; works that, in the words of the festival founders, give viewers “a deep look into the natural, technological, and theoretical worlds, from the smallest molecule to the furthest reaches of space and everything in between”.

Many of the artists showcased are usually in attendance at the festival, which, in 2017, is expected to include panels on how we process and make sense of an overflow of media and information, a career talk with scientists, artists and filmmakers and how they navigate worlds that incorporate scientific and artistic dimensions, in addition to a retrospective of Larissa Sansour’s Space Triology: Nation Estate, Space Exodus, and In the Future They Ate from the Finest Porcelain (the latter featured in the second edition of Imagine Science).

Imagine Science will also exibit a revisited animation about Quantum mechanisms where data visualizations (inspired by CERN) will be projected on sand from Liwa desert.

According to Gambis, in 2017, the featured films will move from traditional documentaries to regional science fictions, experimental studies, and narratives inspired by essential science issues.

“We’re seeking new science films of all styles and subjects. Possible themes include technological shifts, neurological and cognitive functions from vision processing to memory and even dream, and the ecological and sociological studies of the Gulf and MENA landscape,” he elaborates.

To know more about the festival, how it began and what its creators have in store for it, listen to the latest edition of Nature Middle East‘s monthly podcast where this editor talks to Gambis about his brainchild and how it rose to prominence over the years.