How global warming controls plankton populations

A survey of the seas by the King Abdullah University of Science and Technology (KAUST), Saudi Arabia, has enabled scientists to come up with a predictive model of how planktonic heterotrophic prokaryotes – simple marine organisms that process most organic matter in the ocean – are affected by global warming.

Although small, plankton populations make up the largest living biomass in the ocean.

During an expedition in 2010, the scientists looked at plankton across subtropical and tropical waters of the Atlantic, Indian and Pacific Oceans. They scrutinized three factors: resource availability, mortality rates and temperature. They also looked at the viruses and microbes that either live off or kill off plankton.

Team leader Xose Anxelu G. Moran, associate professor of marine science at KAUST, and his peers from Saudi Arabia, Spain and Sweden, wanted to know what influenced plankton abundance and metabolism, and how this can help researchers predict the future role of the microbial populations in a changing ocean plagued by warmer temperatures and diminishing nutrients – thanks to climate change.

They found out that the effect of rising temperature on plankton is not uniform – populations living near the equator, for instance, are not as affected as those near the poles. The impact of global warming on marine microbes is more intense at higher latitudes, according to the study.

When there’s an abundance of viruses that eventually diminish the organism’s populations, temperature’s role becomes limited, the study adds. The same happens when there’s a decrease in nutrients; the water’s rising temperature almost becomes irrelevant. It’s why the scientists conclude that temperature only becomes a dominant factor when plankton are neither controlled by poor resources nor viral attacks.

As well, the study notes that a 1°C ocean warming will increase the biomass of plankton only in waters with more than 26°C of mean annual surface temperature.

Weird birds

Egyptian vultures exhibit strange mud-coloring rituals.

Egyptian vultures exhibit strange mud-coloring rituals.{credit}Manuel de la Riva{/credit}

Scientists have discovered that Egyptian vultures engage in a peculiar “mudding” ritual that is one among a set of unique behaviors that not only distinguish the vultures from other birds of prey, but also, quite frankly, make them look a little “weird” in comparison.

In a new research paper in the journal Ecology, scientists Thijs van Overveld, Manuel de la Riva and José Antonio Donázar of the Estación Biológica de Doñana, Sevilla, Spain, describe the coloring ritual in detail, opining that the behaviour, where the birds dip their heads, necks and even chest in red soil, essentially bathing their upper bodies in mud, might represent a complex communication technique through which the birds relay social information.

Nature Middle East chats with Overveld about the intriguing mud bathing ritual, and what it tells us about the North African birds.

NME: What does knowing about this coloring ritual add to the body of knowledge we have about the bird?

Overveld: The situation of Egyptian vulture is not very good, and currently classified as critically endangered, so few birds are left and we actually know very little about their behaviour. What we do know is that the Egyptian vultures are among the most peculiar birds worldwide. The vulture has a unique behavioural reportoire, such as stone throwing to open eggs; it also eats excrement of ungulates which turns their face into yellow.

Our work adds a new, and unusual behaviour to their behavioural reportoire, which so far has only been described in its close relative, the Bearded vulture.

NME: What are some of the observations that you have made about the birds?

Overveld: These birds have a far more complex social life than previously assumed. Since these birds are non-vocal, we don’t rule out that mud bathing may be used to signal certain social information.

The most intriguing part of the painting behavior is the amount of individual variation.

I have been repeating the experiments in the last week, and the interest in the mud (and disinterest) is striking. We are just at the beginning of our work, so it is difficult to give a clear answer. We can rule out some options like social status, for instance; sanitary benefits also seem unlikely because some birds don’t use mud when it’s in front of them, but we cannot give an answer to why they do it.

NME: Is it as strange as it sounds? Is it atypical in any way?

Overveld: The bird is clearly a special case among birds generally, but most interesting, it’s a vulture that is general regarded as a filthy animal. This has been quite different in the past, given that many societies treat them as sacred animals. As you know, they have been providing essential ecosystem services by eating dead animals and thereby avoiding the spread of diseases.

The significance of our work is two-fold, we decsribe a behaviour that may tell us more about how [the birds] live and their adaptations, while meanwhile, we show that a highly threatened bird – with remarkable behaviors unique among birds worldwide – is disappearing.

NME: How does the coloring happen? What do the birds do exactly?

Overveld: When birds notice red mud, something happens. Some birds can stare or gaze at the mud for 20 minutes, only to scratch the mud and leave. Others step in the bowl and start to scratch, look at it very carefully and then typically swipe both sides of the head and neck in the mud.

The most important thing of our experiment is that we show birds get dirty on purpose. Some start with a bath in clear water and then go all the way in red mud.

The questions is why do some birds want to become so dirty, and why is it as if some birds look [like they’re about] to take the most important decision in their life before swiping their head [in the mud].

Currently we are describing in more detail the behaviour during different parts of the year in combination with experimental work to figure out whether they may signal other social cues we yet don’t know. They have a more social complex life than previously acknowledged so we currently don’t rule out any option.

The world finally has recorded the strange mud bathing rituals of the Egyptian vultures.

Scientists have finally recorded the strange mud bathing rituals of Egyptian vultures.{credit}Thijs van Overveld{/credit}

If you’re curious about how Egyptian vultures bathe in mud, and would like to see the ritual in action, check out the following videos, courtesy of Overveld and colleagues: Video 1, Video 2, Video 3. According to the researchers, the videos are the first ever recordings of this specific mudding behavior.

‘Volcanic’ nanotherapy

The research was inspired by the dynamic resulting from deep ocean volcanic eruptions.

The research was inspired by the dynamic resulting from deep ocean volcanic eruptions.{credit}Nature Picture Library / Alamy Stock Photo{/credit}

In order to stack nanoclusters of oxygen-rich zinc peroxide in a way that allows it to be used for cancer therapy, researchers simulate a natural phenomenon, which usually results from underwater volcanic eruptions, inside the lab.

Nature Middle East sits down with Mady Elbahri, one of the authors of this new research. Elbahri, an Egyptian scientist, is a professor of nanochemistry and nanoengineering at the school of chemical engineering, Aalto University, in Finland.

NME: You’ve come up with a new nanotherapy tool for cancer by simulating a process called the “Leidenfrost dynamic”. Can you explain it to me? Where did you draw inspiration for it?

Mady Elbahri: Well, we’re all familiar with the Leidenfrost phenomenon and [we may] have observed it while cooking in the kitchen, when a water drop touches a very hot pan’s surface. Instead of the expected rapid evaporation, the drop starts to move and dance on the hot surface. I observed this phenomenon in my kitchen a few years ago and contemplated its origin and the idea of employing it for nanosynthesis. Based on the knowledge I collected about this process, I introduced the new concept of “Leidenfrost nanochemistry”, which means synthesis of nanoparticles using the Leidenfrost effect.

NME: Can you walk me through your methods of creating nanoclusters of zinc peroxide using this new method?

ElBahri: In our latest study, we extend applicability of the phenomenon by mimicking the activity of the volcanos deep in the ocean. In this version of the Leidenfrost process, synthesis of nanoparticles starts at the bottom of a hot bath in an overheated zone at the vapor-liquid interface. Subsequently, the particles erupt towards the colder region of liquid-air interface for further growth. By such type of physical separation we are able to tailor the size of the particles.

NME: You mention in your paper that tailoring the size of the nanoparticles produced can selectively kill cancer cells. Can you elaborate more on this?

Elbahri: Tailoring the size can directly affect the oxygen release. Size plays an important role in this therapeutic process; to ensure a uniform effect, such particles should be equal in size. Also, the drug should not harm healthy cells and fibroblasts and so you need to adjust the size in a way that it can selectively destroy the cancer cells without affecting the others.

NME: How do you plan on building on this research in the future?

Elbahri: Further research can help us acquire the best therapeutic response with respect to size and dose of the nanoparticles. I also aim to transfer this knowledge to Egypt. … It will be my honor to support my motherland in getting its deserved scientific position in the world.

Interested in knowing how Elbahri and his colleauges drew their inspiration for this study? Listen to the new episode of Nature Middle East Podcast for the story behind the research.

Green antibody mimics

This is a guest blogpost by Youssef Mansour.

Scientists have devised a new method to create biocompatible, artificial molecular recognition systems with potential use in drug delivery, sensing and bioseparation –– they say it’s the “greenest” strategy described to date.

Over billions of years, biological systems have developed sophisticated strategies governing how a molecule recognizes another to elicit a target function, such as the recognition of an antigen by an antibody to deliver an immune response. Synthetic chemists, however, are faced with the challenge of designing similar systems in the span of a career. But the perk? These mimics, if achieved, can provide a cheap alternative for industrial and biomedical applications.

But building an analogue system that is compatible for use in a living system and sustainably produced proved tougher than previously thought.

That is until a team led by Karsten Haupt of Compiègne University of Technology and colleagues from the Lebanese University came up with a new strategy to synthesize artificial macromolecular polymers in a biocompatible and sustainable manner. Macromolecules are very large molecules, such as protein or lipids, and are typically constructed using smaller units.

The team used a generic approach of producing polymeric analogues called molecularly imprinted polymers (MIP) – bringing artificial molecular recognition systems a step closer to finding practical use in biomedical applications.

Helping women in research navigate career challenges

Ismahane Elouafi of ICBA

Ismahane Elouafi of ICBA{credit}ICBA{/credit}

This is a guest blogpost by Noha Atef.

Women scientists from nine different countries in the Arab world have gathered in the UAE to spotlight the major challenges and hurdles that they usually face working in different research fields. The gathering, which also included pointers on leadership, building and managing teams, self-confidence and communication workshops, and role playing sessions, was hosted by the Dubai-based agricultural research centre known as ICBA, Bill & Melinda Gates Foundation and the Islamic Development Bank.

The meeting marked Tamkeen’s first ever event – a women scientists’ empowerment programme masterminded by Ismahane Elouafi, director general of ICBA and, as per CEO-Middle East magazine, one of the Arab world’s 100 Most Powerful Women in science. Nature Middle East spoke to Elouafi about the landmark event.

NME: Tell us your impressions of Tamkeen’s first event? Was it up to your expectations?

Ismahane Elouafi: We were lucky to have women joining us from Morocco, Algeria, Tunisia, Egypt, Jordon, Lebanon, Oman, UAE and Kuwait. The young women’s enthusiasm was just impressive. Their feedback was overwhelmingly positive.

We are not starting from scratch, we are building on somebody else’s experience and that’s the AWARD program started by Bill and Melinda Gates Foundation. They helped us a lot despite the differences between the Arab world and African region.

NME: What was the common barrier that women scientists said they faced launching their careers?

IE: The cultural and biological pressure. As women, we have a biological clock. We have to get married, have children, take care of our family and make them a priority, which is normal. That’s what’s expected from our culture. Although that’s something [that is present in] other parts of the world, for Arabs it’s more intense.

NME: Would you care to give us glimpses into some of the participants’ discussions?

IE: One of the ladies said that she will start applying what she has learned first on her family. In her mind, the soft skills [that she learned at Tamkeen’s workshop] are tools that should be used every day and in every place, not just work. And that’s what we are truly looking for; give [these women scientists] the confidence to develop themselves in both the professional and personal [arenas]. … Our aim is to reach 20 to 30 women [per year] and see the impact on their families, communities and countries.

NME: How do you think those potential researchers will use the knowledge you’re providing to nourish their careers?

IE: If the course was successful, it [should] help each one of them to progress in her field. This can be measured through the number of publications they produce and through participation in conferences. It will also reflect on the way they present and communicate their work.

NME: How does this program affect you personally?

IE: Oh, I love young people. I always see myself in them. … I enjoy seeing ambitious women with so much potential. They are just looking for one single opportunity to fly. Helping them in the smallest way is a very big achievement and it’s a joy that I can’t even describe.

 

The last dinosaur on Earth?

This is a guest blogpost by Aya Nader.

Chenanisaurus barbaricus comes from the end of the dinosaurs' reign.

Chenanisaurus barbaricus comes from the end of the dinosaurs’ reign.{credit}N.R. Longrich{/credit}

Scientists have discovered remains of one of the last dinosaurs on Earth, in Morocco. About 66 or 67 million years old, Chenanisaurus barbaricus comes from the very end of the prehistoric animals’ reign.

Along with species like Tyrannosaurus rex and Triceratops, it would have been there to watch the asteroid impact that wiped out the dinosaurs.

Previously, the scientists have found only a few teeth, but now they have fossils that comprise part of the dinosaur’s jaw, which is unusually deep, suggesting a powerful bite, and a large body.

The remains were found in Ouled Abdoun, a phosphate sedimentary basin in Morocco.

Chenanisaurus is one of the only dinosaurs to have been found from this time period in Africa, and one of the youngest known members of the group, says corresponding author of the study Nicholas R. Longrich. “We have a pretty good picture of latest Cretaceous dinosaurs from North America and Asia, but very little from Africa, so it helps fill in our picture of what the fauna looked like at this time.”

There aren’t many terrestrial rocks from the latest Cretaceous that are exposed in Africa, he elaborates.

“What we do have is mostly marine rocks in Morocco and Angola, for example. That may be related to the fact that the sea levels were high at the end of the Cretaceous, so much of Morocco is underwater.”

There are a fair number of terrestrial fossils from this time period in Madagascar, he adds, but Madagascar isn’t really part of Africa. It broke off of India, Australia, and Antarctica in the middle of the Cretaceous.

Yet, the Moroccan phosphates are among some of the richest fossil beds in the entire world, according to Longrich. “So the upshot is that if you want to find a dinosaur from this time in Africa, the best place to look is in the marine rocks.”

Chenanisaurus is one of the youngest known members of its group.

Chenanisaurus is one of the youngest known members of its group.{credit}N.R. Longrich{/credit}

Visual experiments straddling art and science

Filmmaker Markos Kay.

Filmmaker Markos Kay.{credit}courtesy of Eliza McNitt{/credit}

Digital artist and director Markos Kay pioneers at visualising the unvisualisable.

“Art and science are drivers of cultures,” says Kay, who visited the Middle East for the first time last month to exhibit a new film called ‘Quantum Fluctuations: Experiments in Flux’ at the Imagine Science Film Festival in Abu Dhabi. “I want to challenge our ideas of how our knowledge of reality is formed.”

He is perhaps best known for a generative short called The Flow (2011), which was featured in an episode of the TV hit series Breaking Bad.

The Flow takes its audience inside a proton, with the aid of simulation software and algorithms, to see a dramatically-visualised interplay of quarks and electrons, resulting in nuclei and atoms. “I was really frustrated that nobody is trying to visualise all this in a more accurate way, so I tried to make my own film. I wanted to show people how complex this stuff is,” he says.

Kay’s work explores and abstracts the complex worlds of molecular biology and particle physics, be it through presenting a different way of observing cells or using the visual language of a microscope to give life to an organic process. “The desire of an artist to find ways to interpret and observe the world is similar to a scientist’s,” he says of his own experiments.

A still from Quantum Fluctuations.

A still from Quantum Fluctuations.{credit}Markos Kay{/credit}

His films are usually filled with detail and movement, and often feature scores of orchestral sounds or a generative, organic soundscape created by algorithm-based software.

His new film, ‘Quantum Fluctuations’, for instance, meditates on the transient nature of the quantum world which, he says, is impossible to observe directly. The film re-imagines the complex interactions of elementary particles as they collide inside the Large Hadron Collider at CERN –– and it’s all presented against a musical backdrop that is designed by Kay himself. Through striking computer-generated imagery, we can see interactions that occur in the background of a collision; for example, particle showers that erupt from proton beams colliding, giving birth to composite particles that eventually decay.

“Since the time of Heisenberg, it’s been almost impossible to visualise these events and simulations. It felt like a challenge,” Kay says. The film was produced by experimental design studio Epoche.io and will be part of an art and science documentary called “Sense of beauty” that focuses on CERN’s particle physics and that will be released later this year.

His latest project Humans After all, in collaboration with photographer Jan Kriwol depicts people in the context of everyday life through their circulatory systems. The project that showcases its subjects – humans stripped down to blood vessels and neural circuits – in an urban setting is meant to highlight the fragility and vitality of the human body.

“Through my work, I try to create immersive environments so that people can feel they’re entering a distant world.”

Humans Afterall.

Humans Afterall.{credit}Markos Kay / Jan Kriwol{/credit}

Does language limit scientific expression?

Scientific papers

{credit}Fancy/Punchstock/Getty Images{/credit}

This is a guest blogpost by Aya Nader.

More evidence is confirming that the choice of language used in scientific literature can influence access to it, and how visible its authors are – including in the Arab world.

Language can limit the transfer of knowledge for one, concludes a study that looked into the prevalence of scientific literature written in local languages. The study, published in PLOS Biology, confirmed some sentiments that many researchers across the Arab world already have.

Over one third of conservation-related scientific documents are written in non-English languages, and a large proportion of local researchers interviewed in the study identified languages as a barrier to accessing knowledge. “I was expecting to see these results, as that was the primary motivation to conduct this work,” says Tatsuya Amano, corresponding author.

Amano says that gaps in information are formed when local scientists either do not get exposed or turn away from publishing in their original language. What surprised the researcher was that over one third of non-English literature reviewed in the study provided neither the title nor the abstract in English, so it’s essentially “invisible to international communities”.

The study might explain why Arab scientists are not as visible, in terms of science research, to international peers, he opines.

“Perhaps only 25% of the global population has some understanding of English and we cannot limit science to just a fraction of the world,” says Steve Griffiths, vice president for research at Masdar Institute of Science and Technology. According to him, having scientific knowledge being somewhat confined to the English language can present a problem when collecting scientific data or disseminating information.

“While language is probably not the driving force behind the lag in scientific visibility of Arab scientists, it certainly can hinder progress,” Griffiths says. Different factors could be causing the lag, he says, which include that the region has only been recently making strides in establishing top-tier research universities and institutes. As well, regional equivalents of supportive bodies like the US National Science Foundation or the US National Institutes of Health are absent.

One of the barriers could be the language itself. A few argue that Arabic, because of the way it’s structured, cannot be adopted as a language of science. “I personally am fluent in English and have studied Arabic for some time and clearly see the translation challenges for technical information,” says Griffiths.

On one hand, English is the universal language of science. On the other, having science available in the local language can enlighten field practitioners and local policy makers.

“The availability of scientific information in relevant non-English languages is a key to the use of science in policy making in countries where English is not widely spoken,” comments Amano. It’s one factor contributing to the divide between science and public policy. “I imagine that extremely busy policy makers would prefer just using easily-accessible information in their own languages, instead of trying to understand English-written papers.”

Poor English skills are observed in many MENA countries and particularly within the government sectors, which limits the uptake of scientific information, Griffiths highlights.

In order to compile non-English scientific knowledge effectively and enhance publishing of new and existing knowledge that is otherwise available only in English, Griffiths suggests launching regional initiatives modeled after the MIT Global System for Sustainable Development. The networking hub, specialized in sustainable development, was created to give researchers that speak English, Arabic, Chinese and Spanish seamless access to its science content.

Another approach is to encourage individual researchers to translate their work, or provide lay summaries of their work in different languages.

There’s also hope in artificial intelligence (AI) for natural language processing (NLP). “Major industry players like Google, Microsoft, Amazon and IBM are deeply engaged in AI NLP for commercial reasons, and over time the outcomes will benefit the scientific community,” Griffiths suggests.

The Finnish trio navigating the natural world through 3D art

A still from the Secret World of Moths.

A still from the Secret World of Moths.{credit}POHJANKONNA OY{/credit}

In one film, “The Death of an Insect”, three animators, filmmakers, and game creators turned science communicators have given a group of dead insects one last dance.

Against a backdrop of stunning imagery – some monochrome or solidly black or white – the insects hovered, floated, and swam though air as if held by invisible strings in a stunning feat of 3D modeling and stop motion photography that is as equally meditative as it is poetic – and perhaps only slightly macabre. The insects that waltzed and flew through urban landscapes – dead but not lifeless – were collected from attics and sheds, and their choreography delicately animated in the studios of Pohjankonna Oy, the production company behind this experimental picture.

In their other film “The Secret World of Moths” showing at the 3rd edition of Imagine Science Film Festival in Abu Dhabi this weekend, the collaborative crew of three, Hannes Vartiainen, Pekka Veikkolainen and Janne Pulkkinen, who are also lifelong friends, provides a glimpse into nature’s macroscopic expanses through moths.

The dreamy images of vibrantly coloured, almost translucent and luminous insects were constructed using 3D X-ray tomography. This brainchild of Pohjankonna Oy was done in collaboration with the Finnish science centre Heureka. Dozens of insect scans provided by the University of Helsinki, Finland, helped make the film’s animated sequences possible.

A light technology crossover.

A light technology crossover.

In other projects, in collaboration with researchers from various institutions, such as Ghent University, they used computer generated imagery from numerous scans to create samples that they can virtually ‘move’ inside. The Centre for X-ray Tomography in Ghent has opened up some data archives for Vartiainen, Veikkolainen and Pulkkinen to explore, experiment with and develop their tools.

The final product is always a paragon of film-making excellence at the intersection of science, animation and art. But none of it is interpretative.

“We take something from the real world and try to visualise it as accurately as possible,” says Veikkolainen. His colleague Vartiainen adds, “It’s never 3D models that are based on the interpretation of the data, but always the real data.”

It’s their third Imagine Science Film experience – previously their work won the 7th Imagine Science Film Festival Visual Science Award in the festival’s New York edition and the Scientific Merit Award in Abu Dhabi back in 2015. Their accolade this year, however, was the reactions of awe and wonder that their virtual reality (VR) engine – part of an installation at the festival’s Spectrum art showcase – has garnered from the audience.

This Nature Middle East editor couldn’t resist a dive (or two) into the immersive virtual world that Vartiainen, Veikkolainen and Pulkkinen have created: a journey into the gut of a 2mm fish, scaled up and visualised with impeccable detail. You can shine a light into this virtual model, carve out or slice through it, swap scales with the hit of a button to be able to move around it and observe it from the outside or walk through it on the inside, as you would in a dimly lit cave.

Since the model is based on real-world data, even the smallest details are true to form; there are no imaginatively constructed visuals.

The VR installation drew a large audience at Imagine Science festival, Abu Dhabi,

The VR installation drew a large audience at Imagine Science festival, Abu Dhabi.{credit}Nate Dorr / Imagine Science{/credit}

The synergy between art and technology in this VR prototype is seamless; giving life to an organic sample that both scientists and the public can go deeper into, while keeping it real.

Their method of visual construction is inspired, in part, by diagnostic tools already in use in the medical industry, but that lack the technology to control and manipulate the data, or make it come to life. “Medical visualization tools typically lack the sophisticated lighting and camera controls necessary for cinematic work,” explains Pulkkinen.

But the trio’s unique tools give them precise studio-like control over lighting tomography data – the render engine makes use of video footage to cast ‘animated light’, for instance, adding layers of natural light, such as a timelapse of a moonlit night, to an otherwise static creature.

The light helps bring out the shape of said creatures and samples, giving an extra layer of reality to these digital visualisations – so in the end, nothing is oversimplified.

Longer lasting batteries

This is a guest blogpost by Aya Nader.

Using two dimensional oxide anodes with a controlled number of atomic layers is an effective way to prolong the cycle life of Na (sodium) ion batteries, scientists from Saudi Arabia have revealed in a new research. The advancement carries great potential for grid storage.

Batteries normally have two electrodes: anode and cathode. Anodes can be manufactured from different materials, including oxides, sulfides, and phosphides. Usually, oxide anodes such as tin monoxide (SnO) go through massive volume change and degrade significantly after use, seriously shortening the life cycle of a sodium ion battery. Typically, researchers mixed the oxide anodes with carbon-based materials such as graphene to mitigate this large volume change.

“However, the new approach stacks few atomic layers of two dimensional SnO anodes to suppress this volume change, making batteries that last more than 1000 cycles,” explains Husam N. Alshareef, principal investigator of the study and professor of functional nanomaterials and devices at King Abdullah University of Science and Technology (KAUST), Saudi Arabia.

They used two dimensional materials made up of sheets of atoms, or atomic layers, stacked on top of each other. The thinnest SnO nanosheet anodes (two to six SnO monolayers) exhibited the best performance according to their study, published in the journal Nano Letters. As the average number of atomic layers in the anode sheets increased (beyond 10), the battery performance degraded proportionally and remarkably, the study found.

Now, the researchers are trying to combine the SnO anodes with suitable cathode materials to create full cell sodium ion batteries. The idea is to use these batteries to power small devices, such as phones and other electronic devices, and test their cycling performance in more realistic conditions.

In addition, the scientists plan to try charging up the batteries using solar power. Practically, sodium ion batteries are candidates to replace lithium ion batteries, especially in stationary storage applications, as sodium is cheaper and more available than lithium.

“Our progress using SnO anodes has resulted in stable sodium ion batteries that offer competitive capacity for grid scale applications,” says Fan Zhang, PhD researcher and lead author of the study. “This is exciting because it means a more effective storage solution has been identified for grid storage applications.”